Category: Fiction

Drama – The Long Way Home

Drama – The Long Way Home

 

Biographical Fiction, Drama
Published: February 2020
Publisher: Outskirts Press
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The Long Way Home is a compelling work of fiction set in 1950s Madison County, Nebraska.
At the heart of the story is Maggie Davis, a middle-aged widow and recent heiress to a grand Victorian manor. The stately home, which Maggie shares with her spirited nine-year-old daughter Jenna, also serves as a bed and breakfast to a once regular, but now transitory, clientele.
The kitchen table is the epicenter of lively, often contentious, dialogue where no topics are off-limits. An outspoken neighbor and routine visitor delights in keeping everyone on guard with her opinionated tirades but is frequently reigned in by an elderly, equally forthright family member who has recently become a permanent dweller at the manor.
Maggie finds herself struggling with the painful memories of her husband’s tragic death, as well as the stirrings in her heart associated with a new house guest. A scandalous scheme to swindle her out of her property rides on the heels of a sudden, unexpected death, pointing to a member of the family as a suspect. Set against an intriguing backdrop of family secrets, scandal, love, and humor, the story culminates with an emotional twist.
About the Author
D.L. Norris is a notable author and motivational speaker who has written numerous short stories and articles on health, emotional wellness, family, and cultural history. Norris’s novel, The Long Way Home, captures in colorful, humorous style the actual events and cultural mindsets surrounding her Scandinavian family and personal life experiences. Norris’s expressive writing style quickly engages her readers and encourages them to sit back and enjoy a nostalgic, magical journey. She and her husband are happily retired in the beautiful Pacific Northwest, where she continues a passion for writing.
 
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El Gringo by Edmond Salus

El Gringo by Edmond Salus

 

Fiction
Date Published: January 2018
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Sonny Galas is an only child being raised by his mother-a widow—and the loving help of his grandfather, also widowed. Living in a Santa Monica apartment complex owned by ‘Grandpa’ all is well and average for this close-knit family until a certain French family come into the picture, in need of a place to rent. They soon show their colors in various ways, topping it off by slapping a suit on their patient, kind landlord. Sonny’s family sees no better option than selling their only asset-the apartments-and getting far away from their Lawyer-packing tenants. Far, as in ‘leaving the country’, and this is where their true adventure begins. South of the border becomes their new home. 

 

 

 

From their journey through third-world narrow roads, small towns where no English is spoken, to long, hot unending desert roads and through humid coastal towns they continue toward their big city destination, Guadalajara, where their life begins and they encounter everything and everyone from kind helpers to con-artists and crazies and from strangers to good friends, both Mexican and American. From young boy to teenager, as the years pass, Sonny sees it all: his family’s ups and downs, the country’s ups and downs with its own political third-world corruption, and his own transformation from a simple boy in a new country to a growing youth, fully fluent in Spanish; a devilish yet fun-loving teenager now with roots firmly planted and sprouting happily in his new home, his new country. From the adventures and joys of boyhood with his friends and pals to the wild days through grade school, junior high and high school with the opportunities given him as a bi-lingual kid to living through the set-backs that could trouble any family-Mexican or American-even scare of the faint of heart, he takes it all in; after all, now he’s Mexican. The fiestas, the friends, the awesome busy modern streets of Guadalajara in the early Seventies to the early Eighties, Guadalajara, the country’s capital of Mariachis.

 

Edmond Salus
 
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Literary Fiction, Short Stories – Body Language

Literary Fiction, Short Stories – Body Language

 

Literary Fiction, Short Stories
Release Date: April 17, 2020
Publisher: Grand Canyon Press
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Life-changing moments. Impassioned encounters. Twelve stories at the crossroads of heartbreak and desire.
When a long-lost love comes knocking, a loyally wedded rancher is tempted by old passions. A bartender wrestling with sobriety is pushed to the edge by a familiar barfly. After her husband’s death, a famous composer struggles to write a single note.
From international flights to hidden grottoes and a nude beach, twelve wayward souls seek to satisfy their deepest hungers and escape their fears.
Body Language explores our often-misguided quest for happiness and connection. If you like vulnerable explorations of carnal cravings, challenging moral quandaries, and transformative self-reflection, then you’ll love these heartbreaking and unforgettable portraits of people yearning for the solace of human touch.
Read Body Language to embrace all that binds us today!


About the Author
Marylee MacDonald grew up in Redwood City, California, married her high school sweetheart, and worked as a carpenter in California and Illinois. When she’s not writing, she’s hiking in the red rocks of Sedona, walking on a California beach, or plucking snails from her tomatoes.
Her short stories have won the Jeanne Leiby Chapbook Award, the Barry Hannah Prize, the Ron Rash Award, the Matt Clark Prize, and the American Literary Review Fiction Award. Her short story collection, BONDS OF LOVE AND BLOOD, was a Foreword Reviews’ INDIEFAB Finalist, and her novel, MONTPELIER TOMORROW, was a Gold Medal winner in the Readers’ Favorites annual book awards.
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Family Saga – Frank Vaughn Killed by his Mom

Family Saga – Frank Vaughn Killed by his Mom

 

Family Saga
Publisher: DOA Enterprises
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A dark version of “The Wonder Years,” Frank Vaughn Killed by his Mom is “The Great Santini” written by Homer, careening through a coarse world of racism, adultery, abandonment, and even the occasional hope.
It’s summer, 1965. School’s out and Butch’s birthday is in a few weeks. Perfect; three months of freeze tag, hide and seek and riding his bike way past dark. Well, maybe not completely perfect — Frank Vaughn, a classmate, is beaten to death by his crazy mother for leaving a report card at school. On top of that, Dad is touchier than ever and Mom sadder, so best to hide out next door with his best friend Tommy reading X-Men and hoping for that birthday GI Joe.
But in one night, Butch’s summer explodes and he’s now riding across a turbulent and changing Dixie in a white Rambler station wagon, at the mercy of a manic depressive and wildly violent Dad. Like a crewman on Ulysses’ ship, Butch encounters a one-eyed evil grandfather, a 12-year-old Siren, the lotus-eaters of Alabama…and Frank Vaughn. If Butch ever sees his beloved sister, Cindy, again, it’ll be a miracle. If he’s alive at the end of the summer, it’ll be a bigger one.
Excerpt
Chapter 1
Butch sat on the porch watching the girls skip rope:
“Frank Vaughn, killed by his mom
Lying in bed alooone,
She picked up a bat
And gave him a whack
And broke his head to the booone
One, two, three, four, five, six, seven…”
…and so on.
Cindy reached the twenties before snagging a toe, but Frank’s mom couldn’t have hit him that many times. A lot, but not that many.
Immortalized in skip rhyme. Amazing. It had been what, only a week? Frank was still on TV. Pat Jarrod, the Channel 7 news anchor, was all grim last night while narrating the film of Frank’s dad escorting Frank’s mom, very pretty in a silk dress and beehive hairdo, into the Lawton Court House. Mr. Vaughn was wearing his class-A uniform and dark glasses and looked like the President of Vietnam, and his wife looked like Mrs. President of Vietnam.
“They’re Filipino,” dad said.
Could’ve been a state visit, except no one was happy.
Butch had been surprised when Frank’s dad helped Mrs. Frank up the courthouse stairs.
Odd. He should be really mad at her, but there he was, being nice. The girls weren’t being nice; they were making fun of Frank, which wasn’t right. Wasn’t like it was Frank’s fault or anything.
Cindy was in again and the others—Lynn and Debbie, Carlafromdownthestreet, Maria and Joseph (who might as well be a girl), and some random passersby—were doing their best to trip her up while staying on the Frank call. You’d think they’d get tired of it, go on to “Spank” or “Battleship,” but no. Butch should go over and tell them to stop, but that would invoke the deadly kid “Ewww!” response and its follow-up, “Go away, you big baby, we’ll do what we want!” and even Cindy would join in because this was the herd, although she’d be gentle. He’d be humiliated and might get his suit, the same one he wore to Frank’s funeral, dirty, which meant a beating and not going to Dale’s graduation.
Best to stay here.
Graduation. Sure making a big deal. All of them dressed up, even Art, with some put-together shirt and skinny tie that wasn’t a suit at all, something Butch, with great delight, repeatedly pointed out. Cindy had on a flowered dress with a yellow silk belt and mom had brushed her red-blonde hair until it was full and fluffy and floated like a cloud, as it did now inside the rope…twenty-four, twenty-five, twenty-six. She wouldn’t get dirty.
Never did. Even when they had mud ball fights and slid head first, screaming and laughing, down the crap hills piled up by the bulldozer guys building apartments near the ball fields, only Butch came back with twenty or thirty layers of dirt hiding his identity. She was untouched. She was perfect.
She was beautiful.
Butch watched her, and his heart soared and knew he was lucky to be her brother…okay, adopted brother. All the boys wanted to cut the string on her finger but she wouldn’t let them, and all the girls wanted to play with her, just her, but she played with them all, no favorites, her laughter ringing up and down the hallways of B.C. Swinney Elementary.
Because of Cindy, the bullies more or less left Butch alone and the other kids tolerated his goofiness. In any other family, that’d be enough. But she favored him, him, over the smart, handsome boys who pursued her on the playground and the sophisticated girls who called her on the phone. Butch was her sole companion when she ran through the alley and over the crap hills. They rolled down the slopes together until they were so dizzy that earth and sky blurred and then they lay on their backs and made things out of clouds and said their secrets and never, ever, told on each other. She didn’t call him stupid or spaz or any of the other names everyone including dad did; she covered for him, even made him look better than he was to the other kids. Even now, somehow she’d disentangle him if he went over there and screamed at the girls for making fun of Frank. Without her, he’d be dead.
Just like Frank.
Tommy walked up the mile-high steps onto the porch and scooted Cha Cha, who lay next to Butch, out of the way. The dog smiled good-naturedly as Tommy sat down and handed Butch a Journey Into Mystery, “To Kill a Thunder God”! Good cover with the Destroyer on it and Butch flipped to “The Crimson Hand,” one of the Tales of Asgard. He’d already read it, but he liked to re-read things he liked, and the Norse myths fascinated him. Tommy had X-Men #12, “The Origin of Professor X”! and Butch glanced over. His copy was in the house. He and Tommy had bought probably the last two left at Carl’s Drug Store, thank God, before someone else got them. Good issue, but he wasn’t sure which origin story, Professor X’s or Juggernaut’s, was the more compelling. Juggernaut was magic, not a mutant. That made him hard to defeat.
“You wanna read this one?” Tommy had caught his glance and shook the X-Men at him.
Yes, but Asgard first.
Butch finger-waved it away, already back on the Hand. Tommy grunted and turned to the page showing Juggernaut at Professor X’s feet, helmet off, surprised by a Professor X-guided Angel attack. Butch abandoned Asgard for Juggernaut’s terrified face. There’s always a weakness. Just had to find it.
“Why you all dressed up?” Tommy asked.
“Dale’s graduation.”
“Oh,” Tommy nodded and looked at the girls. Tommy was in sixth grade now but, next year, moved on to middle school. Next week Butch turned ten, double-digits at last, teenagery mere scattered months beyond, a birthday of grand implications heralded with cupcakes and ice cream and singing and presents and maybe, please God, that longed-for GI Joe. Butch looked forward to it with all the twittery anticipation of a Christmas morning. But their mutual promotions might have a dangerous effect on their friendship.
Tommy lived right next door, very convenient for a best friend, and there were hardly two hours straight in the day that Butch wasn’t at Tommy’s or the other way around. They played army, with Tommy the Americans and Butch the Germans, or Civil War, with Tommy the North and Butch the Rebs, or Marvel, with Tommy as Dr. Strange or Reed Richards and Butch as Dormammu or Doctor Doom. Occasionally, Chuckie from two doors down joined them when he wasn’t in trouble, or Dale (funny that he had Butch’s sister’s name) from across the street when he was visiting his aunt. But those were interludes Butch really didn’t like because, invariably, Chuckie or Dale teased Butch about something stupid he did or said and Tommy let them continue until Butch cried and went home.
The best times were right now, side by side, reading Marvel. Tommy got him started a few years ago, dragged Butch and his weekly quarter off to Carl’s. “Don’t buy baseball cards, jerko, lookee here!”
Tommy had spun the magazine rack to a slot containing a Fantastic Four #1 with that big green thing coming out of the street.
Wow.
Butch liked Batman, and Sergeant Rock and the tank haunted by the ghost of General Stuart in GI Combat, but this! He bought the FF and a Two-Gun Kid and still had one cent left over for bubblegum with a Luis Tiant and Tug McGraw inside to trade later.
So who’s the jerko, jerko?
They had raced to Tommy’s back porch and Tommy read the comics aloud because Butch couldn’t read yet. First grade was still months away, and he hadn’t gone to kindergarten like Cindy and Art. If it hadn’t been for those comic books and Green Eggs and Ham, Butch wouldn’t have had a clue what a letter was, much less whole words, when he walked into Miss MacDonald’s first-grade class that fall.
Now, look at him. He read as well as Tommy, maybe better. Butch had read The Adventures of Tom Sawyer five times already, loving each pass-through. Miss Hale, the most beautiful second-grade teacher in the world, had read it to them during story time. Enthralled, Butch had pestered her to do so again, and she asked, “Would you like to read it for yourself?”
Would he!
“Maybe a little advanced, Butch, but if you think you can do it …”
He sure did think he could do it. Hadn’t he blasted through the SRAs, didn’t he swap Happy Hollisters with the third graders and wasn’t he a Marvel True Believer? She lent him her copy and he finished it in a week, and Miss Hale was so astonished she gave it to him when school ended. He could read anything now, couldn’t he?
Call me a bookworm, dad, I don’t care.
But all that was in jeopardy. If there was one group of kids with which middle schoolers had no truck, it was elementaries … like Butch. Butch wouldn’t ascend to seventh grade until Tommy was already in ninth, one year away from high school, and ninth graders had even less truck with seventh graders. Their friendship was aging out. It was more than likely that this summer was the very last time that he and Tommy could, or would, remain the best of friends.
That prospect gave Butch the chills, and he glanced apprehensively at his very best friend in the entire universe and, oh my God, look at this, Tommy was still on the girls. Butch frowned. Tommy had the narrowed eyes that dad got whenever he looked at bent-over girls or girls walking by in their bathing suits. Butch always looked away feeling guilty, even though he didn’t understand why. Dad, though, stayed on them; smiled, too.
Wait. Wrong word—’leered,’ yeah, that’s it. An ugly word. But appropriate.
About the Author

D. Krauss resides in the Shenandoah Valley, Virginia. He has been, at various times: a cottonpicker, a sodbuster, a librarian, a surgical orderly, the guy who paints the little white line down the middle of the road, a weatherman, a door-kickin’ shove-gun-in-face lawman, a hunter of terrorists, and a school bus driver (and a layabout, don’t forget that). He’s been married for over 40 years, and has a wildman bass guitarist for a son.
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Literary Fiction – Dancing With Langston

Literary Fiction – Dancing With Langston

 

Literary Fiction
Date Published: November 2019
Publisher: Green Writers Press
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Carrie, a business manager who always wanted to be a dancer, has two commitments today. She made a promise to her late father to move Cousin Ella, a former Paris café dancer, from her condemned Harlem apartment to a safe place. She’s also committed to catch a flight to Seattle with her husband for his new job. But Cousin Ella resists leaving the apartment where she’s had salons with Langston Hughes. She also has a mysterious gift that she wants Carrie to earn. If she does, a revelation about Carrie’s father and his cousin Langston Hughes will change her life.
Dancing with Langston has been chosen as an Adult Multicultural Fiction finalist in Foreword Reviews’ 2019 Foreword INDIES Book of the Year Awards.
 
Praise for Dancing with Langston:
 
“Its details exquisite and its characters compelling, Dancing with Langston is a powerful novel about the rewards and the realities of following one’s dreams.” –5 stars, Foreword Clarion Review
 
“Dancing with Langston is one of the most beautiful, brilliant debut novels I’ve had the pleasure of reading in years. With a poet’s skill, and decades of historically important experience in publishing, Sharyn Skeeter has crafted a story that generously delivers black American history and culture, humor, a cast of vibrant, memorable characters, and a vivid portrait of one of the world’s most celebrated literary artists, Langston Hughes, who just happens to be her distant relative. But of even greater importance for this reader, her novel-—very original, very fresh, very dramatic—is a deeply moving story about the love of a daughter for a complex father she comes to fully know only after he is gone. It is about the importance of family—the ones we are born into and the ones we create and love during our journey through life. And about something we all have felt profoundly in our depths—the necessity and difficulty of following one’s dreams.” —Dr. Charles Johnson, Middle Passage
 
About the Author

Sharyn Skeeter is a writer, poet, editor, and educator. She was fiction/poetry/book review editor at Essence and editor in chief at Black Elegance magazine. She’s taught at Emerson College, University of Bridgeport, Fairfield University, and Gateway and Three Rivers community colleges. She participated in panel discussions and readings at universities in India and Singapore. Sharyn Skeeter has published magazine articles. Her poetry and fiction are in journals and anthologies. She lives in Seattle where she’s a trustee at ACT Theatre.
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Drama – The Legacy Series: Book One

Drama – The Legacy Series: Book One

 

Drama
Date Published: February 18, 2020
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Brandyn (Brandy) Harris, a lonely, abused, and terminally ill twelve-year-old boy builds his private virtual world outside the knowledge of his strict and abusive parents. Denied the ability to interact with other kids in his everyday life, Brandy finds refuge within the confines of the Internet in his early stages, where it appealed primarily to the outcasts, and a close group of virtual teen friends.
The Legacy offers a unique, unparalleled glimpse into the mind of abused children while this abuse is taking place amid the hysteria surrounding the Satanic Ritual Abuse Panic of the early 1990s. An outstanding page-turner, it gives you an unprecedented, once-in-a-lifetime opportunity to experience, through first-hand, day-to-day accounts as they occur, a real-world of childhood desperation and painful secrets, a world-known by millions of children, but never openly shared with adults.
You’ll feel Brandy’s feelings, cry his tears and laugh with him on the good days as you’ll journey through the candid and honest secrets of an abusive childhood, as Brandy’s correspondences are written by kids, for kids. Thus, you’ll learn the truths kids only tell their friends, outside the inherent inhibitions derived from adult interference.
This book is the first volume in an epic book series based on real events and the writings and correspondences of a terminally ill young boy who is also enduring a life of physical, emotional and sexual abuse.
About the Author

Brandyn Cross is a multi-media artist, as an accomplished writer, recording artist, songwriter, filmmaker, and actor. 

Brandyn is the writer/producer of the major live event Jackie Evancho & Friends: We are Hope, which was also filmed for television broadcast as multiple concert specials. 
As a singer/songwriter Brandyn scored the international top 10 hits Dear Mr. Jesus and If Money Talks (It Ain’t on Speakin’ Terms With Me), and the top10 music video I Will Always Love You. He won BEST SONG at the prestigious Utah Film Festival & Awards for his composition and recording of Love Again, as featured in the television series Proper Manors.
As an actor and filmmaker, Brandyn has worked on numerous projects such as Unicorn City and The Wayshower, as well as Alienate and Being Charlie with Rob Reiner. He is presently in post-production on his feature directorial debut with the dark Emo drama, The Legacy.
Among his body of written work is the Feature Film The Legacy, currently in post-production and the recently completed Gary Coleman biography, As if I Never Existed, with Gary’s widow Shannon Price. Brandyn has optioned and produced multiple feature screenplays and has written over 100 episodes for various TV series and specials. Brandyn is presently releasing the first volumes in an epic book series, The Legacy.
Brandyn started exploring his creative gifts following a serious industrial accident that turned him into a wheelchair-bound amputee in addition to already being “high functioning” autistic. Determined to show the world that even severe obstacles can be overcome, Brandyn began developing his innate creative abilities, studying and honing his craft, until ultimately turning this ambition into a professional reality. Today, he continues this mission in earnest. 
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Stories I Can’t Show My Mother

Stories I Can’t Show My Mother

Stories I Can’t Show My Mother
By Ann Tinkham
Publisher: Napili Press
Published: March 2019
ISBN: 978-0999015711 (pb)
ISBN: 978-0999015742 (ebook)
ASIN: B07RSQQZ3C
Pages: 235
Genre: Literature, Fiction, Short Stories

In Stories I Can’t Show My Mother, bat girl receives love voodoo from Needle Man, a woman finagles a direct deposit at a sperm bank, a modern-day Lady Godiva triggers a hot police investigation into a cold case, an astronaut plots to kidnap her former lover’s girlfriend, an escort’s famous client falls for her, and a woman recovering from a breakup has a mile-high quickie with a stranger. These flirty, playful stories explore sexuality and sensuality, taking you to places your mother never wanted you to discover.

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About the Author:

Ann Tinkham is a writer based in Boulder, Colorado. She is an anti-social butterfly, pop-culturalist, virtual philosopher, ecstatic dancer, political and java junkie. When she’s not tinkering with words, she’s seeking adventures. Ann has talked her way out of an abduction and talked her way into the halls of the United Nations. She hitchhiked up a mountain in Switzerland and worked her way down the corporate ladder. Ann has flown on a trapeze and traded on the black market in Russia. She cycles up steep canyons, hikes to glacial lakes and mountain peaks, and blazes her own ski trails. As soon as she amasses a fortune, she plans to buy an island and hopes she won’t be voted off her own island.

Her fiction and essays have appeared in All Things Girl, Apt, Denver Syntax, Edifice Wrecked, Foliate Oak, Hiss Quarterly, Lily Literary Review, Short Story Library, Slow Trains, Stone Table Review, Synchronized Chaos, The Adirondack Review, The Battered Suitcase, The Citron Review, The Literary Review, Toasted Cheese, Wild Violet, Word Riot, and others. Ann’s essay, “The Tree of Hearts” was nominated for a Pushcart Prize and her story, “Afraid of the Rain” was nominated for Sundress’s Best of the Net Anthology.

Find Ann Online: